Sankhya chart: The Elements: Earth

/*note; there are more complex Sankhya charts – the one we are using is very basic*/

The elements are one section of the ground floor of the Sankhya Chart.  They are the basic building blocks of the physical object filled universe.  If we were standing at the bottom of the chart, looking up, we would see that things become simpler, less divided, as the chart ascends.  If we were at the top of the chart looking downward, we would see that the fundamental duality, Purusha and Prakriti, contain within them all of what descends from them; the top row further divides via the Prakriti into multiple smaller parts.  The elements are some of those smaller parts.  This process of division continues well beyond the base of the chart.  The process of re-unification continues well above the top of the chart.  The bottom of the chart — the level at which consciousness interacts with the material world — consists of the senses and the elements..  We have discussed the senses. We now begin to discuss five primary elements: Earth, Water, Fire, Air, Space.  The element Earth or Prithvi, our starting point, establishes the solidity of our physical experience. 

Sankhya Chart adapted from Vasant Lad's Chart, Illuminating the Elements
Sankhya Chart adapted from Vasant Lad’s Chart, Illuminating the Elements

The elements rarely, if ever, occur in a pure form.  They are always co-mingled with one another.  How this plays out becomes apparent by contemplation.  Think…mud, or ocean- salt- water. As yogi’s we learn to identify each element and then consider how we can contemplate them and subsequently work with them in our asana practice.  A well-done Asana practice will harmonize the elements but even greater is that asana practice is a means of direct experience of the elements. 

Let’s start with the words of sage Patanjali, author of The Yoga Sutras of Patanjali.

From Patanjali’s Yoga Sutra, third padah: 

/*PYS 3.44 One-pointed meditation on the five forms which every element takes, produces mastery over every element.  These Five forms are the gross nature, the elemental form, the quality, the pervasiveness and the basic purpose. */tr Alice Bailey

/*PYS 3.45 Through this mastery, minuteness and siddhis (powers) are attained, likewise bodily perfection and freedom from all hindrances*/ tr Alice Baily

The third padah, in which these sutras are placed, describes the expected results or expressions of power that arise with well-done practice.  The divine feminine force, Shakti, is the life force which the asana yogi learns to cultivate and move effectively through various yogic disciplines.  When concentration and intention merge in practice the yoga – the yoking –  results in various manifestations of power.  In full mastery the yogi becomes anchored in the experience of yoking to God.

These sutras describe the practice of Samayama (powerfully sustained steadfast concentration) on the elements, or a specific element.

Consider earth in the form of a mountain.  Tadasana. It is solid, stable, heavy, strong, dense, and movable only by the faith contained in a mustard seed.  It is the essence of physicality.  It might be nice to just sit for a while and contemplate an inner or outer image of a mountain.  After placing the body parts in order in your Tadasana, you might, while standing steadily, consider what it might be like to be a mountain.

In our bodies the earth element is associated primarily with muscle and bone.  Bone shares the structural and material qualities of crystals, which emerge from the earth itself. Bone also has association with another element – water – because of the essential marrow and marrow’s relationship to the liquids in the body. Muscle and bone together form the structural elements of our physical body and are the foundation of every asana.

Balance of the earth element in the body brings a sense of grounding which is uplifting rather than heavy.  As our good friend Patanjali says, our posture will then be steady and joyful.

/*The posture should be steady and joyful.*/ PYS 2.46 I believe this translation to be attributable to Sharon Gannon co-founder of Jivamukti Yoga.  Sukham – easy sweet joyful.  Sthira -strong and stable. 

/*Steadiness and ease of posture is to be achieved through persistent slight effort and through the concentration of the mind upon the infinite*/ PYS 2.47 tr. Alice Bailey

/*Then, no assaults from the pairs of opposites*/ PYS 2.48 tr. Manilal Nabhubai Dvivedi

Notice that the remedies in these translations point to the infinite.  It’s the aspiration of reaching for the higher realms of the Sankhya chart.  How nice that the posture trikonasana reflects the shape of the mountain and the Sankhya chart, while reaching for the infinite.  That reached up arm changes the whole relationship to the earth, doesn’t it?  And if you struggle with your shoulders in the posture, perhaps you are carrying too much on them and might invite some trust into your life. The solutions to asana challenges aren’t always fully resolved on the physical level, as we will discover as we climb the Sankhya Chart.

We don’t really need to understand that; we will experience the truth ourselves if we practice.  Yes, the key is practice – with a right amount of ease in working with the challenges you have chosen in your practice, and an elevated intention.

When we detach from forcing and allow ease to emerge, the parasympathetic nervous system can proceed with its magical powers of healing.  This deep level of healing resolves into improved adaptation and resilience.

For much of my life I had a tremendous aversion to cold.  A yoga friend once took me cold dipping in the San Pablo Bay north of San Francisco. Brrrrr. 
The water was 48 degrees.   As I gasped, she reminded me to “breathe…like yoga”.  It worked.  Quickly.  I was neck deep in the water, and blissful. There was no difference between the hot and the cold.  My experience of that yogic result was tested – within weeks of that date I moved to Arizona, in June, 120 degrees.  Moving furniture up and down the stairs.  I survived.  But the amazing thing was that my body completely adapted from the cold and damp of the Bay area to the extreme hot and dry of the desert.  It’s not a brag, I attribute this resilience to my years of yoga practice, and the discipline required to maintain the practice.  It’s something that naturally arises with well-done practice.  I was excited to experience it.

While exposing ourselves to hot and cold is not a prescribed practice for yoga asana, it does demonstrate the power of overcoming preferences in our practice.   Hot or cold room, soft or hard floor, alone or with others, hard or easy, with a teacher we like and or don’t like.  This overcoming of the pairs of opposites is a cornerstone of developing a practice that is steady and joyful.  Sthira and sukha.   This includes the conditions within the body as well.  In classical practices they would stay with pain.  I think this requires a tremendous amount of wisdom to do, but let’s face it, the postures aren’t built to be comfortable.  We don’t have to get to pain to have some work to do. We use our breath, our acceptance, our ease, our desire to be free to allow ourselves to relax into it mindfully. 

Transcending opposites will clarify the experience of your connection to the earth.  I have witnessed this in many students.  Consider how ungrounded we can become in the presence of a distraction in life or an annoyance during practice?  By training to overcome this we become more grounded, we feel our feet on the ground and present, and we come to know what the element of earth feels like

This brings us into harmony with right now, wherever we are, on planet earth. 

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The elements: an overview

स्थूलस्वरूपसूक्ष्मान्वयार्थवत्त्वसंयमाद्भूतजयः

sthūlasvarūpasūkṣmānvayārthavattvasaṃyamādbhūtajayaḥ 

For some mysterious reason I am not well educated about – this sutra is sometimes listed as 3.44 and sometimes 3.45 of Patanjali Yoga Sutra.

/*One-pointed meditation upon the five forms which every element takes, produces mastery over every element.  These five forms are the gross nature, the elemental form, the quality, the pervasiveness and basic purpose.*/ tr – Alice Bailey

/*By Samayama on the gross and subtle elements and on their essential nature, correlations and purpose, mastery over them is gained.*/ Satchitananda 3.45

 Yoga asana develops a tremendous amount of will which unfolds into exceptional discernment. Through the discipline of our practices, learning to concentrate, to be aware in a moment and choose, we learn the potency of our choices.  Yoga is fun, and we don’t want to lose that, but to be aware of the potency of true practice opens the way for us to design a practice which will be most effective to suit our purposes.  Potency, wedded with intention, emerges as effectiveness and the kind of refined intelligence that is commonly called “wisdom”.  The word wisdom can be connected with inspiration and upliftment.  But well-done yoga results in a quality of discernment which supports a functional knowledge that transcends intellectual exercise.  I have a very different day when my practice is consistent and in order than I do when my practice is chaotic.  With balanced practice emerges a steady and healthy lifestyle which unfolds in personal well-being. 

We continue now to explore the Sankhya chart with a discussion about the elements.

Our exploration began with the senses, which are also on the ground floor of the chart.  We learned that yoga has a variety of tools to discipline the senses so we can use them effectively and come to an elevated state of consciousness as a result of doing that. In yoga, discipline and elevation are intimately connected.  The senses can pull us into the confusion that envelopes the world or they can support us in our journey to rise above that confusion and live effective lives. 

Sankhya Chart adapted from Vasant Lad's Chart, Illuminating the Elements
Sankhya Chart adapted from Vasant Lad’s Chart, Illuminating the Elements

The elements share the ground floor of the Sankhya chart. They bridge the external and internal worlds and through them we come to know ourselves as a part of the natural world.   The flow of water and the flow of emotions, the stability of earth and our capacity to stand tall, the transformative essence of fire and our ability to turn food into our bodies and logs into warmth, the breath of air which supports the flight of birds, moves rain filled clouds and enters our bodies as life sustaining breath, and finally ether which ignites the sound of music within us and carries it across time and space to be heard by another.  Ether is also associated with the womb of the universe  wherein the silent Om blooms forth into the struck or heard sound of OM which then gives birth to infinite worlds again and again – Om heard millions of millenia ago and heard now.

I invite you to get started with the exploration of the elements by just noticing them around you.  Earth, water, air, fire, ether.  What qualities do you note about them in a variety of locations and forms?  What happens when you interact with them?  Which element are present often?  Which don’t seem to be part of your life?  Some good practices for this are: spending time with nature whether it be potted plants and urban trees – or, if you are so blessed – going out on a hike. Observing food is another elemental awareness tool.    What is watery?  What is fiery? What is airlike in your diet?  Are there certain colors or smells, sounds or textures?   

Blessings and thanks,

Each blog post has a newsletter with it with a slightly different look at the material in the blogpost and with some supplemental materials – music or reading recommendations or discussions of meditation or asana techniques.  Please sign up to receive future newsletters and if you missed one you are curious about feel free to let me know.  I’ll try to send it out to you.

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sight, vision and yoga

Present in the yoga cosmologies is an  understanding that the world, the physical world with which we interact every day, is an illusion –  “Maya”.  What is  not an illusion is the love that is the creator who goes by many names. The illusion is ever changing but the loving awareness behind it stays constant and the same.  That loving awareness is within us and around us – omniscient, omnipotent, and everlasting.  The Sankhya philosophy maps out the non-spatial terrain between our sensory interactions with the illusion and our experience of that omniscient loving awareness. Our senses interact with Maya – and that is the field we must work with on our journey. Our sense of sight relates uniquely and powerfully to the experience of the illusion.  Through sight, we see a world full of enemies or friends, flowers or concrete. As with all the other senses, the yogic approach is to purify the sense of sightn so we can have direct vision through the eyes of loving awareness.  As our yoga practices blossom we don’t make ourselves think something positive about the world around us so we see it out there – we actually begin to naturally see differently.

We can consider two components of seeing and vision: the physical eyes (and all the associated physical organs), and the spiritual eye – which only opens as a result of spiritual conditions.  The physical eye sees the world of lack and separation – the illusion.  The spiritual eye sees the truth – loving awareness.  The seeing mechanisms of the physical eyes have a way of blocking the vision of the spiritual eye.   By consciously directing the use of our physical eyes, we unblock the visions of the spiritual eye. The means of preparing for this are our standard yogic tools of discipline (training the eye to focus), renunciation (turning our focus away from disturbing visions) and elevation (cultivating the desire to see in a more uplifted way, and seeking association with others who sincerely are seeing in that way). 

One fundamental practice is to monitor carefully what we allow in our visual field.  The yogi cultivates discernment and turns the gaze away from that which is not conducive to their path.  It’s not about ignoring the challenges before us, but but we don’t allow our sight to become absorbed in it. Think of the last explosive movie you saw…it’s easy to get pulled in. There are paths which work specifically with gazing on death or destruction but personally I don’t work with them, and I don’t recommend them – not because they are wrong, but because I believe that it requires extraordinarily skillful means to navigate that kind of practice effectively. It’s not something to be over confident or over trusting about.  It tends to plump the ego. There are many other simpler approaches.   

We work to choose what to invest our sight in. I think the best example of the challenge of gazing at the destructive was the television reporting after the September 11th attack on the World Trade Center.  I lived in New York City – and all our televisions went out – and were out – for days.  Most of us there saw the event as it unfolded in the material world around us.  The internet was not yet a primary source of information.  So, we went about doing what we needed to do.  Meanwhile in the suburbs and towns across the United States of America – the public was tuning in to a 24/7 hour a day show of the repeat of the film of the towers going down.  Many felt compelled to watch to be in the know about what was going to happen next.  I must say, my friends who watched that loop on repeat had a much harder time dealing with the trauma than most of the people I knew who lived in the city at that time.  That image of destruction looping before their eyes was burned into their consciousness – together with the accompanying fear.  Watching doom on a long term basis can create some inner conditions that are difficult to deal with and heal from.  So, yes, we must pay attention to the illusion, but elements of it which keep us fixed in undesirable states of mind we consume only enough to have the information that we need to manage our lives.  In this case a yogic choice may have been to check in from time to time for updates rather than really tuning for a long period of time.

In general the act of gazing magnifies what you absorb through the eyes.  Surround yourself with simplicity, beauty, upliftment, and check any tendency to rubber neck when the horrific or compelling crosses your path.  This isn’t a prescription for walking away from a tragedy where one might be helpful, but it is a prescription for discernment. While doing the work of helping if called to do so, the yogin focuses on the potential to be helpful and not the apparent tragedy.

A question we can ask ourselves regarding right sight is “Do I want my life force (or my time)  to be spent looking at this?” Intention and conscious decision making are fundamental to success in yoga.  Know that what you absorb will, in some way effect the mind.

The potency of the ability to direct our gaze becomes illumined as we train on our yoga mats and meditation cushions.  The directed gaze becomes a propellant for the movement of the life force, or prana, traveling in the yogi’s sushumna nadi (a central pranic channel which travels along the spine).  The gaze “pulls” the life force. An uplifted gaze will pull the prana upward.  This is cleansing and uplifting.

The directed gaze in an asana is called “Drishti”. Drishti means sight or vision.  In the Hatha Yoga Pradipika 1.37 we meet this beautiful description of the practice of Siddhasana or Adept’s pose. 

“Press the perineum with the heel of one foot, place the other foot on top of  genitals.  Having done this, rest the chin on the chest.  Remaining still and steady, with the sense controlled, gaze steadily into the eyebrow center; it breaks open the door to liberation.” P 102,   Swami Muktibodhananda tr. Translation by the Bihar school

Drishti is a practice where the Hatha yogin rests a soft gaze on a specific point while performing, moving into or out of their asana.  Opinions vary as to where to rest your gaze.  Some general principles to keep in mind are that you should select a gaze where the back of the neck is long and the heart lifted.  A well-chosen and executed Drishti is not just about the eyes, it’s about the whole body.  As your sense of Sthira and Suhka (steadiness and joy in a posture) develops in your practice, the whole body will be energized and uplifted by the gaze.  The body looks towards the divine. So, yes, generally it will be an uplifted gaze.  For specific instructions on drishti in various yoga postures see Light on Yoga, BKS Iyengar.

This uplifted gaze also is born in the mind of the yogi.  As we shall see when we get to the mind in our exploration of the building blocks of Sankhya Philosophy, the mind influences the senses and the senses influence the mind. And uplifted mind uplifts the gaze and an uplifted gaze uplifts the mind.

Another very potent yoga practice related to the sense of sight is tratak.  Tratak is a meditative, deeper more focused form of Drishti.  Taking a classic meditative posture, the yogin gazes, without blinking, at a candle lit at eye level until tears come and the eyes are flushed out.  Then, the yogin closes the eyes and gazes at the third eye center between the eyes and slightly back.  An inner vision will manifest of the flame, a blue dot, a deity.   The key to the practice is the steady gaze and not giving in to the temptation to close the eyes. Give the practice a specific length of time, say, 20 minutes.

 The practice of tratak is woven deeply into the experience of the third eye and the power of manifestation through the Manipura Chakra (the Solar Plexus Chakra). I don’t really recommend trying to manifest a specific desire, but rather to understand that  the truest desires of the heart – which we often are unaware of –  will manifest organically as we develop the skillful means of yoga: concentration, awareness, letting go, balancing, contemplating the Ageless wisdom, and cultivating joy, to name a few.

/*This concludes our exploration of the senses as the ground floor of the map of the Sankhya philosophy – the direct experience of the world around us and how we can work with them effectively to enhance our yoga asana practice. For the next post we will begin the elements.  All of the blogposts are accompanied by a separate newsletter I send out via mailchimp.  There is no marketing or advertising or charge (I promise)– it’s a just to share some deeper details with motivated students.  This month’s newsletter will touch on Yantras, and a closing statement on the senses.  If you’d like to sign up for the newsletter please subscribe below.  I don’t sell your info, I promise.  You can see this month’s newsletter at https://mailchi.mp/05b51002ed24/sankhya-the-senses-sight*/

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