Sankhya – The Elements – Fire

स्थूलस्वरूपसूक्ष्मान्वयार्थवत्त्वसंयमाद् भूतजयः ॥४४॥

sthūla‑svarūpa‑sūkṣmānvayārthavattva‑saṁyamād bhūta‑jayaḥ

III.46 By samyama on the five forms of the elements (bhutas), which are gross form, essence, subtleness, interconnectedness, and its purpose, then mastery over those bhutas is attained. Swami Jnaneshhvara Bharati (American initiated by Swami Rama  (and others) in the Himalayan tradition).

ततो णिमादिप्रादुर्भावः कायसंपत्तद्धर्मानभिघातश्च ॥४५॥

tato ’ṇimādi‑prādurbhāvaḥ kāya‑saṁpat tad‑dharmān‑abhighātaś ca

III.45 Through that mastery over the elements, comes the abilities of making the body atomically small, perfect, and indestructible in its characteristics or components, as well as brining other such powers. Swami Jnaneshhvara Bharati an American initiated by Swami Rama  (and others) in the Himalayan tradition.

/*As you may have discovered in studying these sutras on the elements that that they are numbered differently in different editions, due to the omission or inclusion of an earlier sutra III.22 “By meditation on the present moment’s reality, knowledge of past and future arises.” This sutra is removed from certain editions by those who believe it is a restatement of III.16 “knowledge of past, present, future through samyama on the threefold change.”  I think they are different. What do you think, and why? This teaches us something about the subtle and detailed nature of the kind of contemplations that Patanjali calls us to.*/

Let us step back a minute and consider anavaya, a word sometimes translated as interconnectedness, also a natural order of things, interrelation, continuity, and pervasiveness. It is one of the dimensions of the elements, together with gross form, essence, subtleness, and purpose, that Patanjali invites us to contemplate. Interconnectedness is not only a feature of the pervasive nature of the elements, but interconnectedness also defines the Sankha chart – there is this and then this and then this. While we are breaking down the Sankhya chart for the purposes of investigation – igniting an inner awareness of the facets of the chart that will guide our practice – the Sankhya chart functions as a whole – a universal engine of moving parts that make up the cosmos. In the “real world” as opposed to our digital conversation – the facets cannot be separated – just as you cannot pull apart the facets of a diamond. Each facet is a lens, but a diamond is one whole jewel. And like the facets of the diamond – we can look into the facets of the sankhya chart (i.e. the elements)  to glimpse the inner radiance that is the core of the practice, the inner radiance being the radiant spiritual illumination of awareness, which is known by many names. As practitioners this is key – if we decide to extract one piece of the practice and ignore it, the big picture unravels.

We discussed that in the descent from pure consciousness to matter that Sankhya maps,  water comes from fire (via condensation). From this perspective, water is denser, more material and more opaque than fire. But that does not mean it is more potent – this is  an important spiritual principle, that spiritual power overcomes pure material power. As we shall see, exploring the chart from the bottom to the top, as we go higher the potency of the facets increases.

Fire is the pivot point between the spiritual dimensions of consciousness and the material. Here we begin to see how a spiritual dimension of practice, say meditation or ahimsa (non-violence) can transform the physical world. In our passion for the illumined forms of practice – the clutter in our pranic channels is combusted quickly – impacting health, appearance, and relationships.

What arises as we contemplate fire?

Fire does not have a form like a physical object does, but it expresses as flames which are visible aspects of fire’s essential essence and purpose, combustion. The shape of the flame – its tangible outwardly visible form–  is  created by a combination of subtle and gross factors: the very physical nature of the fuel, the air flow around it, and gravity – the pull of the mass of the earth. The flame we see is a gaseous field with solid particles within it. Its form speaks to us of its nature, upward movement, luminosity, and transformation…a bridge from the spirit to the material and vice versa.

Fire, like water and earth, is all pervasive (anavaya) in its potential — from the illumination in the light bulb beaming down on my desk to the molten lava in the center of the earth, to the ignition in my digestive juices or in my car. The subtle element of fire is everywhere – even though its flame or form is not always visible. This is the contemplation of anavaya or interconnectedness.

Fire is incandescent, luminous, warming, and weightless. As water’s essence expresses in movement and flow, the essence of fire expresses itself in the process of combustion. Fire, which expresses as combustion, is associated with the Manipura chakra, situated in the solar plexus where our digestion occurs. Digestion, whether of food, residues of emotional processes, or the churned-up stuff of the ego identity, sits at the  heart of a successful the hatha yoga practice. The process of combustion is the process of digestion;  The process of combustion is the process of transformation. This is the contemplation of essence, the intrinsic, unchangeable essence or svarupa.

This essence of combustion reveals the purpose or arthavattva of fire. To combust or transform. For ancient peoples fire transformed logs into light and heat creating evolutionary visibility and the ability to stay warm and cook food. For the contemporary yogi, the fire element as it expresses through tapasya (austerity), physical heat and energetic combustions invoked by practice transforms the yogi into a potent, conscious, intentional action taker on the mat and in the world.

But to achieve this aim, the fire must be managed – both on the mat and off. Too much fire and the body wastes away, the mind becomes disturbed, and the practice gets disrupted. The practice is prescribed in a passionate “take no prisoners” form, but I believe the truth is that the perfect practice for each individual is the one where the fire is sufficient to clean them up, but not so strong that it depletes the subtle “juices” described in the texts (ojas, soma and others ) which  are fundamental building blocks of life. Traditionally, dairy products were consumed to offset the fire stoked by practice, but contemporary dairy products are tainted by the modern farming practices used in producing dairy. Almonds and coconut are two plant substances used to replace the traditional ojas replenishers.

Fire management is a key feature in the asanas themselves. Inversions interrupt the flow of soma into the digestive fire thus slowing down the aging process. Dhanurasana (bow posture) stokes the digestive fire, especially when you rock on the belly. All properly executed twists, but especially Ardha Matsyendrasana (seated spinal twist) stoke the fire in the manipura (The solar plexus) chakra, stimulating digestion. This is why we do not eat a meal for two hours before intense practice. It is like putting a big log on an open fire…if it is too big it puts the fire out. This is also why we do not drink water before and after practice. It dampens the transformative nature of practice.

What about hot yoga? Yes, herein lies the controversy around hot yoga. It jumpstarts the process of transformation with an external variable. I always liked hot yoga, but it does something different. The Tapasya or austerity is to endure the hot room. There are yoga precedents for this in certain kinds of fire ceremonies and rituals but just be mindful that this external fire does not work the same  way as the internal combustion facet of classical hatha yoga. In hot yoga the water element functions as a primary cleanser through ingestion during class and sweating. It is a little more accessible, but it does not have the same kind of bridging of spirit and material that classical hatha offers …to yoke the sun and the moon, the body with the divine.

Fire is a central element in the practice of yoga asana. It functions as a living bridge between spirit and matter, facilitating the classical aspiration of yogi to uncover their true nature.


By contemplating the gross form of fire, its subtle essence, its inherent continuity, and its purpose, we begin to see how the same luminous power that shapes the cosmos also shapes our inner world. And we begin to see  that the practices in the texts can contribute to our understanding of asana in powerful ways.

I always send out a newsletter concurrent with the blog post which covers the theme from a slightly different perspective and includes playlist ideas, mantras and anything else that comes up. I often include an “About the body” section that works with the ideas we are contemplating. I never use the emails for marketing purposes, just for information and fun. You’ll receive one newsletter a month, at most.

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Deep Asana:  Understanding your joints for deep healing.

/*This is the first in a four part series about deep asana and creating personal sequences*/

In the classical schools of yoga  the healing power  of deep asana Is a powerful rubric. By deep asana I am referring to the classical spinal twists (i.e., ardha matsyendrasana) , lotus (padmasana), and all the various binds. These deep squeeze postures  are purposeful in their intensity in a way that large muscle strengthening or or deeply relaxing postures are not. To practice them effectively we must understand how the joints function – and what the deep asana does.

For example

  • Padmasana. The knee is a hinge joint. The ankles are mosaics of tiny interconnecting bones that move like ball bearings to allow maximal movement – but the structural stability of the joint is borne of the way those joints fit together, fettered together by soft tissue – fascia, ligaments, and such. When we do padmasana – the deep exterior rotation of the legs must emerge from the hip socket to protect the functioning of knees and ankles. If we are practicing padmasana – we must balance that deep external rotation of the hip joint with stabilizing strengtheners in our standing practice. Particularly the internal rotations which connect the feet to the earth through the inner ball of the foot. These inner rotations, while originating in the connection to the earth travel up the leg and into the hip socket and pelvic girdle. Stable hip/pelvic girdle structure is needed for standing, walking, and containing the soft internal organs. a correctly activated inner rotation will strengthen whatever tiny muscles which need to be strengthen and will establish ease in those which have been acting as supports when it wasn’t their function. So we must understand how the joints work – and what their purposes are and how they relate to each other.

  • Ardha matsyendrasana: Vertebrae spin gently in restricted rotations around a central axis. Each vertebrae is uniquely shaped for its perfect placement in the column of the spine. The shape of each one contributes to the moving stability of the spinal column. When performing a deep asana form of a spinal twist, we are invited to gently explore the boundaries of the vertebral rotation. The spine must be lifted and relatively straight to protect the cushions between the vertebrae, which protect the nerves. Remember important components of the nervous system travel through the spine – your central nervous system! A classical spinal twist is not a full body twist – it is focused on the spine. The sacrum does not participate in the twist. Instead, the pelvic girdle is given structural stability built from the ground up  either through knowledgeable activation of appropriate muscles or through placement i.e., through sitting squarely on the ground.
  • The pelvic girdle is a bunch of moving pieces. Yep. It’s not a solid bowl. Those moving pieces can misalign in subtle ways,  impact the alignment of the vertebral column and the ability of the vertebrae to turn. The stability in the alignment of your feet and knees supports this structure. Building the asana from the ground up helps with this.
  • Deep asana is not forceful asana. There are lineages where force was used effectively but I am not aware of any school that currently works successfully with dramatic deep quick forceful adjustments into deep asana. Gentle knowledgeable movement is as effective, if not more so in the stable ongoing practice of deep asana.
  • Modifications and simpler postures are your friends. You can design or learn modifications that will work specifically on the joints which present obstacles in our practice of deep asana. In my practice I work for long periods of time in specific modifications to open joints, like the hip or the  turning of the spine, before moving into the deep posture.  This creates a stable foundation for the deeper postures which is safe and healing.

Note – the relationship with deep asana is very different for those who started yoga before their bone structures were fully formed.  Yeah. The sacrum is still forming up to age 5. For the rest of us – bones remain malleable through our lives, depending on lifestyle – so change is possible, but it is best executed gradually and consistently.

Through the squeezing wringing of soft tissues in the joints – deep seated stress patterns in the fascial tissue are released, and structures in the pranamayakosha – the pranic body are aligned and rejuvenated. After squeezing – fresh blood and prana will flow into a joint to nourish it.

I encourage you to learn more about the way your joints function and how each posture – in its classical form (see Light on Yoga) articulates the joints. Note that Mr. Iyengar who is depicted in the pictures in this book, started very young. He’s like a gumby. But you can still see external rotations, internal rotations, deep spine twists, in those classical images. Gently experiment with what you learn – so it is no longer an academic exercise to learn about your yogic anatomy.

My Mailchimp newsletter is sent concurrently with this – it’s designed to illuminate related ideas to stimulate understanding and spark your thinking about your practice. I promised I won’t send you marketing emails.

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Repetition and Understanding Asana

There are a few ways that repetition is useful in a yoga practice.  First, it wears a groove and opens us to experiences of greater depth.  Constant change in our yoga practices is amazing- it builds resilience and the ability to adapt.  But this experience of yoga – to become yoked to our deeper wisdom self – requires that we dig down deep enough to hit a level of awakening beyond our normal waking state.  One benefit of getting in a groove, if we do it consciously, is that when our practice gets disrupted it’s easier to shift back into the positive mental and physical states we are cultivating.   Perpetual change can break  apart obstructions which obscure those deeper levels of ourselves, but once again, repetition is a key component to really getting deep in there.  Like digging a hole, if we just take out a scoop here and there as we wish…our well will never be dug deep enough to access the clear pure water.  Yoga works the same way.

Repetition is also a great tool for assessing our bodies from day to day.  To get an accurate assessment, we need to do the same posture as we did the day before.  Yesterday, my Ardha Matsyendrasana (Half seated spinal twist) was at a level I’d never experienced in 30 years of practice.  Today, it wasn’t even at my average.  This is interesting.  It’s information about my body, my habits and my stress responses to the world around me.  Repetition can lead to realization and understanding.

The other thing to consider though, is that repetition invites unconsciousness if it’s not the right time and place to do it.  I remember when I started practicing I frequented the local  Bikram studio. I thrived in the heat and the repetition.  Then one day my knees started to hurt.  I took a break from the practice and focused on Vinyasa for a while.  As I embraced returning to vinyasa, I realized that in Bikram class I was going to sleep. Instead of using repetition to fine tune my execution of the postures – I practiced by rote, but was thinking about cupcakes.  At first I thought the form of yoga I was doing was the problem.  I realized as I practiced more and became more knowledgeable that, no, I had just gotten bored and stopped paying attention to the details.  As a teacher I saw many students who gave up a posture or a style of yoga because they felt it wasn’t good for them. My experience is that when we experience a painful result it’s a call to greater attention to our moments on the mat, and to develop greater self awareness of the body in whatever way we can.  Sometimes a change in practice wakes us up.  Sometimes we just need to tune in deeply to what we are doing.

So how to practice with repetition in a way that is wise?  You can place the posture repeatedly at certain junctures in the sequence you are practicing.  Say Arhdhamatsyendrasana…at the beginning  before sun salutes, after standing, between back bends and forward bends, between each back bend.  Working this way requires that you begin with a very gentle execution of the posture and go progressively deeper. 

Another approach is to design a short sequence to prepare for the posture you are working on  and then repeat that entire short sequence at key junctures in your daily practice.  This creates depth, and you can tweak the  sequence to explore the impact of various lead ins to the posture you are exploring.

The last approach I’ll mention today is that you can just repeat a single posture several times a day, every day for a certain amount of time – a week, a month, a year.  This will help you truly own the posture in a healthy way – it creates an intimacy with it that can change your whole understanding of yoga. Practicing repetition in asana practice is a profound way to deepen your practice and to experientially deepen your understanding of particular postures, how they work, the dynamics created by placing them in certain points of sequence. It’s a great way to transition your practice and teaching from a place where you are practicing and teaching what you have been told by others into a place where you are practicing and teaching from your own inner knowing.